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Cytomic The Drop v1. Star Trek Judgment Rites Deutsch. 5.2 Incl Patched and Keygen-R2R® The follow-up to The Glue, Cytomic’s acclaimed character bus compressor, has been available in beta form for what seems like an eternity, and now that the finished version is finally here, we’re happy to report that it’s turned out every bit as special as we hoped and expected it to. Indeed, The Drop is arguably the finest filter plugin ever made, with a superlative sound and extensive feature set.

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Taking the exact opposite approach to the ‘one-knob’ likes of Sonalksis’ Creative Filter and Waves’ OneKnob Filter, The Drop harks back to the intimidating complexity of Antares Filter – a frankly terrifying (discontinued) plugin fair bristling with parameters and controls. “Those who are serious about sound quality will be pleased to learn that the plugin also includes a number of oversampling options” Thankfully, though, while The Drop has more than enough knobs to play with, accessing its basic functionality is pretty straightforward: the plugin (VST/AU/RTAS) centres on a pair of filters – low-pass and high-pass – which are located right at the top of the interface and boast big, inviting Frequency, Resonance and Drive controls.

The filters self-oscillate when driven hard, but the Safe button on each one keeps the resonance below self-oscillation level when activated. The Filters can be routed in series or parallel, and the 4 Pole buttons toggle them between 12 and 24dB/octave modes. Slippery slopes The Drop doesn’t offer the steep 48 and 96dB/ octave roll-offs served up by the likes of Sugar Bytes WOW2 and Vengeance Philta XL, but it does feature seven circuit models based on filters from classic hardware synths: the Roland SH-101 and Juno-6, the Oxford Synthesiser Company OSCar, the Moog Prodigy, two variations on the Korg MS-20, and a custom circuit somewhere between a Sallen-Key and a state variable filter. They’re all much alike until you crank the Drive knob, at which point their individual characteristics become apparent and The Drop’s ability to imbue glorious analogue-style filth is realised.